peluso 2247 le vs se

In its day, the U47 had phenomenal specifications and really set the standard — a standard which a surprising number of modern mics fail to match. But being realistic, the noise floor is no worse than most high-end small-diaphragm mics, and you wouldn't notice it in any practical application anyway — this isn't a mic intended for distant placement, after all. We like to call this one the Peluso "short-body" 47. By brodgind in forum Microphones Replies: 9 Last Post: 02-27-2007, 13:07. The specifications claim the valve should be a 5696/6SJ7 pentode, but the markings on the side of the black metal case (which, to be fair, were very hard to read) appeared to be 6KX8. There are a number of U47 clones around, but in terms of modern microphones at a similar price, the 2247 can be compared to the likes of the Blue Mouse, the DPA 4011 or 4006, or three Neumann classics: the excellent TLM170R, the U87ai and the M147. My interface is an RME Fireface 800. Win! So many capacitor mics seem to deliver an excess of high frequencies, often tainted by a kind of resonance that can grate over time. You may have to register before … If people want the sound of a U47, it's up to them to try to get hold of one!" Peluso 22 47 LE Peluso 22 47 SE Peluso 22 47 Peluso 22 251 Peluso P-12 ... 22 47 SE Standard Edition Vacuum Tube Microphone: 22 47 Vacuum Tube Microphone: 22 251 Vacuum Tube Microphone: P-12 Vacuum Tube Microphone : P-49 Vacuum Tube Microphone: P-67 Vacuum Tube Microphone: P-87 Solid State Microphone: P-414 Solid State Microphone. These vintage tubes are thoroughly tested and fully covered by our 3-year warranty. The scale of the graph is such that small level variations are impossible to see, but there appears to be a modest scoop of a few dB stretching between about 500Hz and 3kHz. One might say I’ve become somewhat of a connoisseur of Peluso microphones. Peluso Microphones; Peluso 2247 SE. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. To achieve the distinctive "47" sound we have found the 6SJ7 American style steel tube provides the same sonic quality as the VF14. Right from the early days of Neumann after the war, Telefunken were appointed to distribute the microphones worldwide, with the Telefunken logo in place of the Neumann badge. FS: Peluso 2247 LE - mint condish!!! Studio Tube Large Diaphragm Micro. The dual sided capsule in the 22 47 SE enable the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight. The last sounded slightly different, and the valve had a much shorter life span than the VF14 because it got too hot. fs - Peluso 2247 LE SE American Tube. The 2247 LE is a full-sounding microphone from top to bottom which is at home on instruments . Peluso 2247 SE. It's not even that fussy about placement, although it obviously pays to take the trouble to find the sweet spot of the instrument. The whole 2247 SE kit (the mic in its wooden case, the shockmount, the connecting cable and the power supply) is contained within a sturdy flightcase. The LE seems to be about as close a copy of the original as it is possible to get, as it is fitted with a German 'Stahlröhren' Telefunken 'Steel Tube' VF14-equivalent valve, whereas the SE model uses an American Steel Tube equivalent, the 5693/6SJ7. Taking a more lateral approach, AEA offer a very attractive package combination of an R84 ribbon and TRP preamp, costing only a little more than the 2247 SE.,,, If this is your first visit, be sure to check out the. These vintage tubes are thoroughly tested and fully covered by our 3-year warranty. The initial U47 model was launched by Neumann in 1949, and it employed the infamous M7 capsule (a design which dates back to 1930), along with the VF14 pentode valve (although operated as a triode). At this time, my favorite Peluso is the 22 47 LE.This also comes as the 22 47 SE.The distinction between them … $149.00. The real strength, though, is in the mid-band, which seems warm and fulsome, but doesn't cloud the transient response higher up the range. (See my reviews: 22 251, CEMC6 and 22 47, R-14.) The 2247 retains the typical vintage character that provides enough brightness but without overdoing it — similar to a good ribbon in many ways, only more so. Strangely, I also found that I used less compression on the vocals than I normally would have expected. Professional engineers enjoy great success with the 22 47 SE for a wide range of applications from male and female vocals, acoustic guitar to tenor sax. While I won't say the 22 47 LE is a clone of a U47, it does have a lot of its character, such as a darker top, compared to a C12 or 251, and has what I call a more 'carbonated' bottom. What is a "hybrid" audio interface anyway? The mic is supplied in a nice, foam-lined wooden box, along with an elastic spider shockmount (the classic Neumann design). Jeff, that is not a raw file, you have heavy effects on the vocals, which are also in the background compared to the guitar, which is forward. At over £1300 in the UK, the 2247 SE is an expensive microphone, competing with some of the very best that money can buy: classics like the DPA 4011, for example, as well as the Neumann M147, the TLM 170R and the U87ai. The power supply is modelled to look very similar to vintage units, with a 'hammered', gunmetal-grey paint finish, and vintage-style toggle switches and knobs. The Peluso 22 47 LE is equipped with a vintage German 'EF' style steel tube (Stahlröhren) manufactured between the 1940's and the 60's. The 22 47 SE features Peluso's heavy-duty 8 … More to the point, perhaps, it sounds fantastic anyway, regardless of whether it is a sonic match for the U47 or not! However, I was also able to use it to record acoustic guitar (a gorgeous Lowden), cello and saxophone. This mic just seems able to produce 90 percent of the 'right sound' straight out of its XLR socket. Self-noise for the German Stahlröhren tube model is is 16dBA (fractionally higher than the original U47), while the American-tubed version boasts a self-noise of 14dBA. I have an Art Pro Channel preamp, but I don't use it much and think the preamps in the Fireface may be better. I just received a very lightly used Peluso 2247 LE mic and I am using it to record male vocals (mine), acoustic guitar, and possibly distant miking electric guitar cabs in my home studio. Why Are Some A-B Stereo Arrays Angled Outwards? Peluso ; 2247 LE ; Peluso 2247 LE. In other words, with my voice, the Peluso makes me think of pouring a coke over ice while I speak. Guitar speaker magnet influence on close dynamic mic? Another variation on the original theme is that only two polar patterns were provided on the U47: omni and cardioid. The body of the mic can be removed easily by unscrewing the base, to reveal the electronics. With nearly identical specifications, the only discernable difference between these two tubes is a 2dB quieter noise floor on the 6SJ7. From what I can tell, you sound pretty good with it. The Peluso 22 47 LE is a large diaphragm condenser microphone styled after the legendary "Neumann U-47". Web site designed & maintained by PB Associates & SOS. While the former is, arguably, more 'authentic', it is noisier, and the latter uses a more easily available valve and is quieter. The mic delivers a lovely, clean, airy sound: there is certainly no obvious lack of top end but, equally, there is no harshness or falseness there either. However, as a result Frank Sinatra famously always referred to his Neumann U47 as a 'Telly', and few Americans realised who the real manufacturers of this famous mic were! So, I can't give any real feedback about the mic for your voice. John Peluso's company is currently offering three versions of the 2247: a basic model and two variations, the Standard Edition (SE) model and the Limited Edition (LE). Although the mic is marketed as being hand-built in America, it seems that these are largely Chinese parts. Higher output than a real U47, and slightly quieter too. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Of course, it doesn't provide phantom power, so it can't be used with most capacitor mics, but since valve mics have their own power supplies anyway, it makes an ideal partner for them. This was designed to accompany AEA's ribbon mics, and one of its claims to fame is an astonishingly low noise floor and utter sonic transparency — it adds, quite literally, nothing other than gain, and takes nothing away. 4.5 out of 5 stars 2 ratings. The 2247 SE has the additional feature of 9 polar patterns, controlled from the power supply. All rights reserved. If so, this is a dual-triode variation of the ECC808 — essentially a low-noise version of the more familiar ECC83/12AX7. Other than those small differences, the 2247 looks the part, and is very well presented. Do not buy the Peluso 2247 SE... when you can buy the LE. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Peluso 2247 Se Standard Edition Tube Microphone Brand: Peluso. By gilbert in forum Free Ads for Music/Recording Equipment Replies: 0 Last Post: 05-02-2007, 05:53. The Peluso 22 47 is equipped with a glass triode tube. It may seem an odd arrangement, but actually it was a smart move, as it allowed Neumann to avoid paying royalties to Telefunken over patents in vacuum-tube technology (the VF14 was a Telefunken valve). Mastering Essentials Part 5 - Compression & Limiting, Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. I have been fortunate enough to use genuine U47s in the past and, like most of the classic Neumann mics, they have the ability to work perfectly in a mix right from the off. To achieve the distinctive "47" sound we have found the 6SJ7 American style steel tube provides the same sonic quality as the VF14. Someone wants to cover one of my songs... but wants to ... DIY baffles & acoustically transparent material. The 2247 shared that same quality, and I just didn't feel the need to fiddle with the EQ when using this mic, not even on the acoustic guitar. Available in three different versions, each of which uses a different valve. Sensitivity, at 12mV/Pa, is a little low compared with modern capacitor mics, but I doubt that will cause problems for anyone. This version of the 2247 apparently uses the 6072A dual-triode valve, which endows it with a self-noise figure of 12dBA — that's 3dB less than the original U47. The capsule is a 34mm gold-sputtered design, but the diaphragm material is not specified. True U47 sonic characteristics, including a larger-than-life sound. The Peluso 22 47 is a large diaphragm condenser microphone styled after the legendary "Neumann U-47". The SE and LE variations of the microphone have dimensions of 58 x 235mm and each weighs 855 grams. Peluso 2247 LE - Great River NP500NV - Retro comp - FF UFX Mixed with no EQ. The 2247 is, in case you hadn't already guessed, modelled directly on the classic Neumann U47 valve mic, which was the first ever switchable-pattern valve condenser microphone and went through several revisions during its lifetime (you can read more about the U47 elsewhere in this article). Also included in the product line-up are a ribbon model and a solid-state, small-diaphragm mic, so pretty much all the classic designs are catered for. LEWITT LCT 440 PURE Large Diaphragm Condenser Microphone Again, it is still very much worth an audition! The basic model is slightly shorter, at 200mm, and weighs a little less as a result (775g). The Peluso 2247 SE Tube Microphone is paired with the Peluso MX-56 power supply. To achieve the distinctive '47 sound we have found the 6SJ7 American style steel tube provides the same sonic quality as the VF14. In the early 1970s the first solid-state version was produced, the U47fet, which used the K47 capsule — although Georg Neumann is reported to have commented "Don't try to bend the laws of physics in pursuit of a particular sound. The Peluso 22 47 SE is a large diaphragm condenser microphone styled after the legendary "Neumann U-47". This American style tube is readily available and allows us to offer the Peluso 22 47 Standard Edition at a very competitive price. Price: $1,999.00 & FREE Shipping: New (2) from $1,880.00 + FREE Shipping. However, the Peluso mic seems to have the same general characteristics that I remember of U47s of old, including the ease of use and full, rich, bigger-than-life sound. John Peluso's company is currently offering three versions of the 2247: a basic model and two variations, the Standard Edition (SE) model and the Limited Edition (LE). The cello sounded warm and sonorous, with lots of wood and rosin, and I find it hard to find any real fault with this mic at all. My first Peluso was the SE, then I decided I wasn't crazy about it and John let me trade it for the LE (plus additional cash, of course). The Peluso 22 47 SE is a large diaphragm tube condenser microphone which aims for the sound and look of the longbody U 47. This tube helps the 22 47 achieve its high gain and low noise floor. The PVC material degrades over time to make the diaphragm very stiff and brittle, and the mic becomes considerably brighter as a result. In this blind microphone shootout you will have a chance to compare four of John Peluso’s large diaphram tube condenser microphones: the P12, the 2247 SE, the P67, and the 22 251. The VF14 is impossible to find these days, but the EF14/UF42 version, which can still be found, can apparently be used with a very minor modification to the heater supply. Q. That could be a serious temptation if you don't already have top-flight preamps available. Surfing over to the Peluso website, I managed to find a complete set of specifications for the Limited Edition model. For everything from country and rock to pop and hip-hop vocals, the U 47 is a sound nearly everyone can agree on. However, the Chinese have quickly become very skilled microphone-capsule manufacturers, so I wouldn't necessarily hold the source of the components up as a black mark, and Peluso have a fine reputation and a considerable amount of experience in repairing and reworking vintage microphones and capsules — so they should know how to build an accurate-sounding replica! Each of the Peluso 2247 versions offers nine different polar patterns, controlled by a rotary switch on the power supply, ranging from omni, through cardioid and on to figure of eight. It sounds like it could be any mic. … First Look: Pro Tools | Carbon. The Peluso 22 47 LE is equipped with a vintage German ‘EF’ style steel tube (Stahlröhren) manufactured between the 1940s and the ’60s. Peluso Microphone Lab are American 'boutique' microphone manufacturers who build vintage-style mics by hand, using high-quality components and metalwork. One of two U47-type models offered, the Peluso 22 47SE (Standard Edition $1,967) looks, feels and attempts to recreate, the sound of a brand-new long-bodied Neumann U47. One Synth Challenge V - The Filter Strikes Back! If I had to be picky, I could complain that it is fractionally noisier than the best of modern designs. In 1955 the U47P model was produced, with a 'torpedo head' for the newer, aluminium-diaphragm M48 capsule, and then the U47N version was introduced, with a 13CW4 Nuvistor instead of the VF14. 2 ratings . I mainly used the 2247 to record vocals (both male and female), since I imagine this is what the vast majority of people will use it for. Peluso does not tune their 2247 in reference to 50 year old U-47's, but rather more like the original sound of the M7 capsule. What We Think - Peluso 2247 LE Review "The Peluso 2247 LE is a sort-of glorious "Mr. Natural" - Neutral but not certainly not boring. Only the last is a valve microphone, of course: the M147 is the direct descendant of the original U47. I wasn't able to compare the 2247 directly against a real U47, and it has been a while since I have used one myself. Other valves can be used too, but they all involve modifications to the power supply to provide a separate heater voltage. The views expressed are those of the contributors and not necessarily those of the publishers. Peluso set out to replicate the classic performance and style of Neumann's legendary U47. While this mic does not have quite the incredible detail and subtle warmth as his SE version (Peluso 2247 SE), Peluso has created an incredibly affordable tube microphone that captures a lot of the original coloration and sonic characteristics (nice round low-end and low-mids) that made the original Neumann U47 so famous. Peluso's more expensive 22 47LE (Limited Edition) differs only in the tube used: a NOS Telefunken EF12K. However, because the U 47 has been out of production for decades, the price of original 47s is absolutely through the roof. In the 1970's German radio modified the original U-47 incorporating this glass style tube to conform to broadcast standards. If this is your first visit, be sure to check out the FAQ by clicking the link above. PreSonus StudioLive 32SC Series III Mixing Console. We don't know when or if this item will be back in stock. The only thing missing (from the review sample, at least) was some sort of manual and specification sheet. Peluso 2247 Le or other vocal mic? Their current range features several models, many with very familiar-sounding names: the 22251 (after the Telefunken 251), the P12 (AKG's C12), and the 2247 reviewed here. However, there was a quality-control-style frequency-response printout, showing an astonishing flat line between 40Hz and 10kHz, with a gentle droop above that. It differs from the 22 47 … The Peluso 2247 is a remake of the classic Neumann U47, retaining all the desirable sonic qualities of the latter but extending the versatility with nine switchable polar patterns instead of just two. Classic U47 styling and vintage-looking power supply. Voiceover LDC Mic Shootout - Neumann U87Ai vs. Peluso P87 vs. CharterOak E700 vs. Peluso 2247 SE Sound Pure Pro Audio Expert Travis Hall does a quick voiceover mic shootout between the Neumann U87 Ai, the Peluso 2247 SE, the CharterOak E700, and the Peluso P87. ... Audio-Technica AT2020V Limited Edition Cardioid Condenser Microphone 4.7 out of 5 stars 4,159. Studio Tube Large Diaphragm Micro Frequency response: 20 - 22000 Hz, Polar pattern: omnidirectional, cardioid & figure-8, Nominal impedance: 200 ohms, Max. By the mid 1960s, the U47 had switched to the K49 capsule, which had a polyester diaphragm instead of the original's PVC design. The circuitry is very simple, but good-quality components are used throughout. Both are metal-cased valves, rather than the more familiar glass-tubed designs. I have the LE version of the mic, if you want to hear what that sounds like, all my recordings feature it. The modest circuit board is marked as a Rev 3 version, and the output transformer is neatly encased at the bottom of the mic's structure, with the integral seven-pin output XLR (the originals had 6-pin connectors because a separate heater supply wasn't needed). I have several of their microphones. The fake Neutrik connectors on the seven-pin cable, carrying the 'Legun' name, are an obvious clue, but so too is the engineering of the metalwork. Could the result be even better than the real thing? Peluso 2247 Se Standard Edition Tube Microphone The Peluso 22 47 SE is a large diaphragm condenser microphone styled after the legendary "Neumann U-47". However, it can hold its head up high in this company and, arguably, will deliver a better sound — maybe not technically, but sonically and artistically. We have sound clips of a Vintage U47 vs. Peluso 2247 Details Peluso 2247 SE Specs Peluso 2247 SE Media The Peluso 2247 SE is a large diaphragm condenser microphone styled after … Whereas the Neumann K47 capsule had two diaphragms on a shared backplate, the Peluso capsule uses an off-shore capsule with dual backplate design. The basic (shorter) version mentioned earlier is about £400 less expensive, with slightly better technical specifications and the same sonic characteristics, but it is 'less accurate' as a replica U47 because it uses a different type of valve for its impedance converter. Part of the problem with finding a suitable valve replacement was that the original power supply provided only 105V (for both the anode voltage and the heater supply, via a dropper resistor that produced a lot of heat). To test the 2247, I deliberately chose to use my TRP preamp. Supplied as a full kit with shockmount, in a flightcase. The third version of the mic is based on a modification of the original U47 design (introduced by the German radio broadcasters in the 1970s), in which the original VF14 pentode was apparently replaced with a glass triode valve, and the noise-floor improved as a result. I spent good time with both versions but I was much happier with the LE. Maximum SPL is given as 140dB (but without any indication of how much distortion occurs at that level). It doesn't have the 'edge' that many modern Neumanns seem to have, but still retains the clarity, detail and warmth that is needed. Currently unavailable. Just got my Peluso 2247. In that context, the price is easily justified, and if you can argue a compelling case to invest this kind of money in a versatile top-end mic then the 2247 SE should be on your list of suspects.

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